The collection published as Harmonische Seelenlust contains 98 chorale preludes altogether, some of them specifying use of an oboe “placed in order to give. Georg Friedrich Kauffmann is best known for the “Harmonische Seelenlust”. This work contains all of his known chorale preludes together with. Georg Friedrich Kauffmann (14 February – 24 March ) was a Baroque composer and Gelobet seist du, Jesu Christ; Harmonische Seelenlust musikalischer Gonner und Freunde: Wer nur den lieben Gott lässt walten; Nun danket.

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Pieces with this instruction include: Lobt Gott, ihr Christen allzugleich 3. This is especially true when considering the text of these pieces: The works that have been provided with registration, have the full potential to function as prototypes in the establishment of, and the serving as foundations for the specific combinations a performer may use, depending on the genre in question as outlined in the previous chapters.

A critical study of his organ registration indications Van Wyk, Theodore Justin. Erschienen ist der herrliche Tag Alio modo Suggested registration: Gottes Sohn ist kommen Suggested registration: Material on the subject of harmmonische usually consists of: The mere fact that many of his contemporaries and some composers of the subsequent generation copied and regularly performed not only his organ, but also his choral works, testifies to the high regard in which he was held during his era.

Harmonische Seelenlust, (Musical score, ) []

Although on two manuals, this combination also depicts the character of a plenum. This work contains all of his known chorale preludes together with figured bass settings for all but one of the used chorale melodies. Compositions in this fashion are three- to four-part although bicinia are found sometimes with an unusually elaborate embellished cantus firmus.


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These alterations give us a unique insight into the course of organ building during this period and it seems that Bach wanted to bring this organ up to date with the harmonisfhe trends of the day.

Many of his works were copied and regularly performed by these musicians, including prominent composers such as J.

In some instances, however, Kauffmann is not clear on whether the pedal should have specific independent registers drawn, or if this division is to be coupled to a particular manual when he indicates that the pedal is to play only the last bass note of the chord in question.

Anyone who would like to know what to draw in the manual for the plenum needs only to remember this: It is an evident characteristic that Kauffmann never expects the Tremulant to be added to the combinations that involves the Vox Humana, although he had the aforementioned stop available on all the divisions of the Merseburg organ.

In some of these trios, Kauffmann introduces the use of a solo wind instrument, the oboe, which plays the unadorned cantus firmus accompanied by a decorative and supporting contrapuntal line performed by the organ. Bach and the Baroque.

From Monteverdi to Bach. Johann Friedrich Wender renovated the organ in Advanced Search Find a Library. This form does not constitute legal advice and nothing that you read or are provided on this web site should be used as a substitute for the advice of competent legal counsel. From the specification of the Merseburg organ it is evident that Kauffmann had numerous potentialities to construct a plenum on harmoniscbe manuals and pedal coupled or uncoupled according to his own preferences and also to the ideal of his contemporaries authors.

Telemann, interestingly enough, declined the position as Kantor at the Thomaskirche, the post for which both Kauffmann and Bach applied. Hereunder are also several preludes that are intended for two-manual organs.


Orrelregistrasieaanduidings in Kauffmann se Harmonische Seelenlust

The works in the latter are arranged in alphabetical order. Essay on the true art of playing keyboard instruments. Counterpoint based on Eighteenth-century practice.

Home About Help Search. Vom Himmel hoch, da komm ich her Alio modo I Example A comparative study of registration practices in selected organ works of Johann Sebastian Bach based on recordings made by Marie- Claire Alain and Jacques van Oortmerssen. Kauffmann is mostly associated with one of the most important collection of chorale preludes in the Baroque, viz.

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Ein feste Burg It is very distinct to what extent Kauffmann introduced a new idiom into German organ music with the Harmonische Seelenlust.

Harmonische Seelenlust (Kauffmann, Georg Friedrich)

Through careful analysis of this notable oeuvre, one can safely conclude that Kauffmann had definite expectations about the performance thereof, and that he knew what specific sounds he envisaged. Gelobet seist du, Jesu Christ Alio modo 3. In the Leipzig University council deliberated to request the expertise of Kauffmann to inspect and examine the recently built organ in St.

Seelennlust Principal or a 4-foot Octave may be added to the Gedackt 8, and the other voice can be played one octave lower: Auf meinen lieben Gott Example